Yup, yup, yup.The Dark Knight wrote: Tue Sep 15, 2026 12:22 amThis is the biggest issue I have with Daima as well. On one hand, it's clearly the most Toriyama's been involved with Dragon Ball since the original manga, but on the other hand, there were still major plot points that were in desperate need of an expansion. We were told that Gomah's magic was terrifying, but we never saw it; we were told about Arinsu and Glorio's relationship, but we never saw it; then of course everything that had to do with Ssj4. The plot points were there; all they had to to was elaborate on them. The problem is that everyone was so afraid to change or add anything to Toriyama's work during this revival that everything just feels undercooked. I'm not even saying they should've introduced completely new ideas not present in Toriyama's draft, but rather just expand on what was there.JulieYBM wrote: Tue Sep 15, 2026 12:10 amDaima is a perfect example of world building being useless if the television series that it is written for is not actually a well-made television series. Not allowing other writers to take Toriyama's ideas and really make plots out of them is ultimately what harmed the series.
What's funny is that DB & Z regularly expanded and changed elements from the original manga back then, and more often than not, the changes improved the story.JulieYBM wrote: Tue Sep 15, 2026 12:10 amThis is what happens when you have an undisciplined producer, like Iyoku Akio, trying to create a series that can be marketed as being "the most the original creator has ever contributed to a series!"
You gotta treat this shit like, say, Pocket Monsters. The world building notes from Toriyama have to be a used like a bible for other writers to build properly dedicated scripts around and then flesh out. Oh, the overall story is about Pansy, Glorio, Duu and Kuu eventually going from these positions to these positions? That's where you do one-off episodes to build on those ideas without trying to fully copy the notes like they're a checklist. Dragon Ball Super understood this, it's why you can feel a more natural progression and flow between the scenes in each episode.
I'm really curious to see how things pan out for The Galactic Patrol. Hopefully a good series director is brought on and Tomioka and the other Dragon Ball Super writers return and get to continue in the same vein of what they were doing in the Tournament of Power arc.

