Majin Buu wrote: Fri Mar 06, 2020 4:49 pm
What the Falconer score does as music is redundant in my opinion. Just because music is needed doesn't mean the music produced can't be inadequate, or redundant, or otherwise not work for what the show needs most.
Saying it's inadequate is one thing. Saying it's redundant is another. But I guess they're both fair opinions either way.
What I've been saying is "the show already adequately conveys this through some non-musical way, therefore, it's unnecessary for x music to focus on this and instead should have focused on more important elements."
So theoretically, a given fiction can convey more meaningful qualities without the need for music? Just Dragon Ball isn't one of them and therefore needs the Japanese tracks?
Again, I never said otherwise; just that the Falconer score redundantly takes those less important elements and makes them the primary focus; again, to the detriment of those more important elements.
Okay. I guess what you're saying is the "coolness" of Dragon Ball is already obvious, where as other qualities are not and need the aid of music to convey them.
Fair enough if that's the case.
I don't think coolness is necessarily less important than other qualities though. I think the real problem is, the Faulconer soundtrack specifically is an overall more shallow soundtrack than the Japanese soundtrack. I think this holds true even with Faulconer tracks that attempt to convey things like sadness, drama, seriousness etc... which, it has plenty of those. The Japanese tracks just plainly do it better.
I don't think coolness in the most general sense, is inherently more shallow than these other qualities though. Especially for young kids watching. It can inspire confidence, self-esteem, and motivation in an impressionable youth, and it can do it for adults too.