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==Compositional Analysis== | ==Compositional Analysis== | ||
K-60's setting in F Major is | K-60's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic]. | ||
In A1, the bass pattern is F- | In A1, the bass pattern is F-F♯—G-F♯—F-F♯—G-F♯—F, while the melodic voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯—G-B-A♯—F-A-F♯-A♯—G-B-A♯—A-G♯-G-F♯-F-F-F—C-F—C-F. This pattern takes four bars (assuming the melodic voices go to 16th notes in 4). | ||
In B1, centering on E Major, the prominent voices spell out a succession of triads. The most prominent voices play root-position chords on the beat with the root also | In B1, centering on E Major, the prominent voices spell out a succession of major triads. The most prominent voices play root-position chords on the beat with the root also in the top voices (including violin), and a glockenspiel arpeggiates each chord up an octave: E Major (E-G♯-B-E)—C Major (C-E-G-C)—E Major—F Major (F-A-C-F), E Major—C Major—E Major—F Major. This pattern takes two bars. | ||
A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly. | A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly. | ||
Revision as of 07:39, 21 August 2020
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This page is incomplete. Kanzenshuu wiki team members are aware that they must edit this page to add missing information and complete it. |
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| K-60 | |||
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| Tonality | F Major | ||
| Length | 0:30 | ||
| BGM Data | |||
| Catalog Number | K-60 | ||
| Composition | Shunsuke Kikuchi | ||
| Debut and Release | |||
| Debut Year | 1986 | ||
| First Appears | Dragon Ball Episode 5 | ||
| Debut Release | Unreleased | ||
K-60 is the Kanzenshuu catalogue number assigned to an unreleased piece of background music (BGM) composed by Shunsuke Kikuchi for the Dragon Ball anime in 1986. The piece debuted in Dragon Ball Episode 5 which was broadcast on 26 March 1986.
Overview
K-60 is given the title "Daydreaming" on kenisu's Magicant,[1] the most common source for fan titles of Kikuchi's compositions.
Compositional Analysis
K-60's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are parallel rather than diatonic.
In A1, the bass pattern is F-F♯—G-F♯—F-F♯—G-F♯—F, while the melodic voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯—G-B-A♯—F-A-F♯-A♯—G-B-A♯—A-G♯-G-F♯-F-F-F—C-F—C-F. This pattern takes four bars (assuming the melodic voices go to 16th notes in 4).
In B1, centering on E Major, the prominent voices spell out a succession of major triads. The most prominent voices play root-position chords on the beat with the root also in the top voices (including violin), and a glockenspiel arpeggiates each chord up an octave: E Major (E-G♯-B-E)—C Major (C-E-G-C)—E Major—F Major (F-A-C-F), E Major—C Major—E Major—F Major. This pattern takes two bars.
A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly.
B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation.
Usage
References
- ↑ "The DragonBall BGM Daizenshuu" (11 June 2008). The Suburbs of kenisu's Magicant. Retrieved: 30 June 2019.
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