G7: Difference between revisions
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The full composition is part ''a'' of the suite entitled "[[Strong Ambition]]", which is track #09 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''. | The full composition is part ''a'' of the suite entitled "[[Strong Ambition]]", which is track #09 on both the ''Ongakushū'' record and disc #2 of the ''Daizenshuu''. | ||
G7 is given the title "Daydreaming" on ''kenisu's Magicant'',<ref>{{Cite web|URL=https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] of K-60 based on its placement in the series. | G7 is given the title "Daydreaming" on ''The Suburbs of kenisu's Magicant'',<ref>{{Cite web|URL=https://web.archive.org/web/20201111170233/https://kenisu.webs.com/dragonballbgm.htm|Website=The Suburbs of kenisu's Magicant|Title="The DragonBall BGM Daizenshuu"|Date=11 June 2008|AccessDate=30 June 2019}}</ref> the most common source for fan titles of [[Shunsuke Kikuchi|Kikuchi]]'s compositions. The piece was assigned the [[Shunsuke Kikuchi catalogue|Kanzenshuu catalogue number]] of K-60 based on its placement in the series. | ||
== | ==Form and Analysis== | ||
G7's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic]. | G7's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are [https://en.wikipedia.org/wiki/Parallel_harmony parallel] rather than [https://piano-music-theory.com/2016/06/15/major-scale-diatonic-chords/ diatonic]. | ||
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B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation. | B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation. | ||
==Usage== | ==Usage and Variations== | ||
==Notes== | |||
{{notelist}} | |||
==References== | ==References== | ||
{{reflist}} | {{reflist}} | ||
{{music}} | {{music}} | ||
[[Category:Music]] | [[Category:Music]] | ||
Latest revision as of 09:10, 11 March 2021
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This page is incomplete. Kanzenshuu wiki team members are aware that they must edit this page to add missing information and complete it. |
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| Ｇ７ | |
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| Tonality | F Major |
| Length | 0:30 |
| BGM Data | |
| Catalog Number | K-60 |
| Composition | Shunsuke Kikuchi |
| Debut and Release | |
| Debut Year | 1986 |
| First Appears | Dragon Ball Episode 5 |
| Debut Release |
Ongakushū (1986 vinyl) Daizenshuu (1994 CD) |
| BGM Suite | Strong Ambition |
G7 is the official catalogue number of piece of background music (BGM) composed by Shunsuke Kikuchi for the Dragon Ball anime in 1986. The piece debuted in Dragon Ball Episode 5 which was broadcast on 26 March 1986.
Overview
The full composition is part a of the suite entitled "Strong Ambition", which is track #09 on both the Ongakushū record and disc #2 of the Daizenshuu.
G7 is given the title "Daydreaming" on The Suburbs of kenisu's Magicant,[1] the most common source for fan titles of Kikuchi's compositions. The piece was assigned the Kanzenshuu catalogue number of K-60 based on its placement in the series.
Form and Analysis
G7's setting in F Major is chromatic, and the piece actually ends on E Major. The form is ABAB, where A centers on F Major, and B centers on E Major. The chord progressions are parallel rather than diatonic.
In A1, the bass pattern is F-F♯—G-F♯—F-F♯—G-F♯—F, while the melodic voices including flute spell the root and third of successive chromatic triads: F-A-F♯-A♯—G-B-A♯—F-A-F♯-A♯—G-B-A♯—A-G♯-G-F♯-F-F-F—C-F—C-F. This pattern takes four bars (assuming the melodic voices go to 16th notes in 4).
In B1, centering on E Major, the prominent voices spell out a succession of major triads. The most prominent voices play root-position chords on the beat with the root also in the top voices (including violin), and a glockenspiel arpeggiates each chord up an octave: E Major (E-G♯-B-E)—C Major (C-E-G-C)—E Major—F Major (F-A-C-F), E Major—C Major—E Major—F Major. This pattern takes two bars.
A2 begins immediately after the final F Major chord of B1 and centers on F Major again. A1 is repeated exactly.
B2 repeats B1 exactly, but after the final F Major chord, the pieces ends on an E Major chord with no glockenspiel arpeggiation.
Usage and Variations
Notes
References
- ↑ "The DragonBall BGM Daizenshuu" (11 June 2008). The Suburbs of kenisu's Magicant. Retrieved: 30 June 2019.
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