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|style="text-align:left"|violins, descending melody; slightly slower (I-IV-III)
|style="text-align:left"|violins, descending melody; slightly slower (I-IV-III)
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The piece ends a bit unusually on the major [https://en.wikipedia.org/wiki/Mediant mediant] (an A major chord in the key of F Major). The diatonic mediant in F Major is a A minor chord, but its third (C) is raised here to C#, which is not native to the key. In K-25, this chord does not resolve, but it can easily resolve to the tonic chord: The root (A) becomes the 3rd of the F-major chord; the third (C#) resolves downward a half-step to the 5th of the F-major chord (C), and the 5th (E) resolves upward a half-step to F.
The piece ends a bit unusually on the major [https://en.wikipedia.org/wiki/Mediant mediant] (an A major chord in the key of F Major). The major mediant is used in "[[Romantic Ageru Yo]]" (with a 4-3 [https://www.britannica.com/art/suspension-music suspension]) at the beginning of the bridge section between the verses and chorus, functioning as a [https://en.wikipedia.org/wiki/Secondary_chord#Secondary_dominant secondary dominant] (V/vi, i.e. the dominant of the vi chord).


The chromatic movement in the antecedent phrase is likely inspired by the bridge section between the verses and chorus of "[[Romantic Ageru Yo]]", but the consequent phrase is more of a direct reference.
The chromatic movement in the antecedent phrase is likely also inspired by the bridge section of the ED, but the consequent phrase is more of a direct reference to the chorus.
[[File:K-25 comparison.png|none|500px]]
[[File:K-25 comparison.png|none|500px]]
While the rhythm is quite different, the melodic shape is the same. Also, while "yo" falls on the tonic in the ending song, the corresponding note in K-25 falls on the major mediant.
While the rhythm is quite different, the melodic shape is the same. Also, while "yo" falls on the tonic in the ending song, the corresponding note in K-25 falls on the major mediant.


==Usage and Variations==
==Usage and Variations==
Below is a table of every instance where G2 is used in ''[[Dragon Ball (anime)|Dragon Ball]]'' and ''[[Dragon Ball Z]]''.
{{further|[[Dragon Ball Music]].}}
 
Below is a table of every instance where K-25 is used in ''[[Dragon Ball (anime)|Dragon Ball]]''. It is not used in ''[[Dragon Ball Z]]''.
Durations are approximate and do not necessarily include the fade times normally included in the full track's duration.
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!scope=col; style="width: 30%"|Scene
!scope=col; style="width: 30%"|Scene

Latest revision as of 02:08, 27 June 2021

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« K-24
K-26 »
K-25
The wonder of the Hoi-Poi capsules.
Tonality F Major
Length 0:13
BGM Data
Catalog Number K-25
Composition Takeshi Ike
Arrangement Shunsuke Kikuchi
Variation On I'll Give You Romance
Debut and Release
Debut Year 1986
First Appears Dragon Ball Episode 2
Debut Release Unreleased
v · d · e

K-25 is the Kanzenshuu catalogue number assigned to an unreleased piece of background music (BGM) arranged by Shunsuke Kikuchi for the Dragon Ball anime in 1986. The piece debuted in Dragon Ball Episode 2 which was broadcast on 05 March 1986.

Overview

K-25 is arranged by Kikuchi as a short reference to the chorus of the ending song "Romantic Ageru Yo" composed by Takeshi Ike. This theme is used as a leitmotif for Bulma throughout Dragon Ball, transposed to F Major from the original key of E♭ Major.

K-25 is given the title "The Wonder of the Capsules" on The Suburbs of kenisu's Magicant,[1] the most common source for fan titles of Kikuchi's compositions.

Form and Analysis

K-25 is a short piece of 4 bars at approximately 84 beats per minute. The consequent phrase (bars 3-4) slows slightly.

Part Bars Details
Antecedent Phrase 2 synth and glockenspiel, chromatic ascending melody (I-vi)
Consequent Phrase 2 violins, descending melody; slightly slower (I-IV-III)

The piece ends a bit unusually on the major mediant (an A major chord in the key of F Major). The major mediant is used in "Romantic Ageru Yo" (with a 4-3 suspension) at the beginning of the bridge section between the verses and chorus, functioning as a secondary dominant (V/vi, i.e. the dominant of the vi chord).

The chromatic movement in the antecedent phrase is likely also inspired by the bridge section of the ED, but the consequent phrase is more of a direct reference to the chorus.

While the rhythm is quite different, the melodic shape is the same. Also, while "yo" falls on the tonic in the ending song, the corresponding note in K-25 falls on the major mediant.

Usage and Variations

For further information, see Dragon Ball Music.

Below is a table of every instance where K-25 is used in Dragon Ball. It is not used in Dragon Ball Z.

Scene Length and Variations Setting
Dragon Ball Episode 2

Bulma pops her capsule house on the first night of her adventure with Goku.
0:06: Consequent phrase only.
Dragon Ball Episode 91

Everyone visits Yamcha at Papaya Hospital.
0:13: Full track.
Dragon Ball Episode 92

Muten Rōshi flirts with two ladies at the 23rd Tenka'ichi Budōkai.
0:06: Consequent phrase only.

Notes

References

  1. "The DragonBall BGM Daizenshuu" (11 June 2008). The Suburbs of kenisu's Magicant. Retrieved: 30 June 2019.