PAGE TOP

3,853 Posts & 2,435 Pages Documenting Dragon Ball, since 1998. We've got you covered!
Published by 04 April 2018, 8:56 AM EDTComment

An official website has opened at www.db-tour.com for the upcoming “Dragon Ball North America Tour 2018”:

A Dragon Ball event, the greatest of all time, is coming to the United States and Canada.
Consisting of 7 stops, starting from San Diego!!
Expect exclusive items and a one-of-a-kind experience!

The website and its brief teaser video reveal a July 2018 kick-off in San Diego, with further locations promised:

Shueisha and Toei’s traditional copyright notes are included on the page, while Bandai’s official YouTube channel hosts the teaser video. FUNimation is also credited as the coordinator for the North American license, while Tamashii Nations is listed as one of the first “Brands” alongside the tour.

The official Dragon Ball website’s fifty-fourth entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is the author’s character designs for #17 and #18 in Dragon Ball Super‘s “Universe Survival arc” and its Tournament of Power.

Apart from the jeans, the “MIR” shirt and “RANGER” armband are carry-overs from #17’s park ranger uniform. The website’s write-up notes how this was the first time Toriyama had drawn #17 since the 24th kanzenban‘s cover artwork in 2003.

Following a teaser fold-out poster with the finalized anime designs in the February 2017 issue of Shueisha’s V-Jump magazine, Toriyama’s designs for #17 and #18 were originally unveiled the following month in the March 2017 issue:

The selection of #17’s design for the daily entry was part of the website’s larger April Fool’s joke, which re-branded the entire site as the “Android 17 Official Site” in light of his surviving to the end of the Tournament of Power:

Published by 03 April 2018, 12:15 PM EDTComment

The official Dragon Ball website’s fifty-third entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is an illustration made for the 2013 theatrical film Dragon Ball Z: Battle of Gods of Vegeta attempting to appease the God of Destruction Beerus (along with his attendant, Whis).

The image was previously published in 2013 in both the film’s official guide book as well as the Dragon Ball Chōgashū: Super Art Collection.

The film debuted five years ago to the date of this particular website entry, which notes that only Akira Toriyama as the original author could draw Vegeta abandoning his pride and attempting to appease and entertain Beerus this way. Masako Nozawa (Son Goku, et al.) mentioned a similar thought in her Chōzenshu 4 interview that same year:

Incidentally, with this movie, Battle of Gods, I think Vegeta is going to get a lot more fans. You really get to see to the bottom of his heart, as well as an unexpected side to him, and it’s really interesting. To tweak Vegeta like that is probably something only Toriyama-sensei can do. Normally, it’s something you’d be too afraid to do, for fear of destroying the character.

Published by 03 April 2018, 10:19 AM EDTComment

The official Dragon Ball website’s fifty-second entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is Toriyama’s cartoony version of the Zero 52 fighter plane, drawn for the FineMolds company in winter 2017 and used on a badge currently sold at the Aichi Museum of Flight.

Toriyama previously worked with the FineMolds company on the “1/12 Fighter Collection” of models circa 1994.

Published by 03 April 2018, 10:18 AM EDTComment

The official Dragon Ball website’s fifty-first entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is a jacket image Toriyama contributed for George Tokoro’s August 1981 Fuel Album.

The album’s 2009 CD reprint also included a replica of Toriyama’s artwork.

Toriyama cited actor/comedian/singer-songwriter George Tokoro — alongside Yellow Magic Orchestra — as one of his favorite artists just a year earlier in his September 1980 Pafu “Mangaka Who’s Who” interview:

While it does kind of feel like I’m late to the party, I seem to like Yellow Magic Orchestra. No song in particular. Come to think of it, George Tokoro is good, too.

The official Dragon Ball website’s fiftieth entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is the author’s illustration and introductory message from the 2013 Akira Toriyama: The World of Dragon Ball exhibit attendee booklet.

Thank you for coming out to the Dragon Ball Exhibition!

In spite of being a work from quite a while back, there are many people who have either been fans ever since back then, or gotten interested in it recently; I am truly happy for it to be supported by all you fans from around the world.

And now, in 2013, they’ve made a brand-new animated movie!
I’ll be happy as can be if you enjoy watching it with heart-pounding excitement!
Only, it won’t make you cry.

— Akira Toriyama

The exhibit itself — timed around the theatrical release of Battle of Gods — featured a massive timeline along with a wealth of original sketches and illustrations from Akira Toriyama. We were able to attend the exhibit’s second stop in Osaka — check out our report for the full scoop!

The official Dragon Ball website’s forty-ninth entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is the third omake (extra/bonus material) from the first tankōbon of the Dr. Slump series, originally released in August 1980.

You can cut it out and make Arale glasses for yourself!

Published by 03 April 2018, 8:35 AM EDTComment

Shueisha’s official book database and online retailers have updated with a listing for the second collected print edition of Yoshitaka Nagayama’s Super Dragon Ball Heroes: Dark Demon Realm Mission, due out 02 May 2018.

The volume will retail for ¥400 (plus tax), will run 192 pages, and is available to pre-order on CDJapan and Amazon Japan.

The series’ first collected volume was released almost exactly one year prior, covering the series’ first five chapters along with bonus material.

A sequel/continuation from and initially a replacement for the previous Dragon Ball Heroes Super Charisma Mission! manga series, Dark Demon Realm Mission began in the September 2016 issue of Shueisha’s Saikyō Jump magazine telling a new story set in the Super Dragon Ball Heroes world with Time Patrol Trunks, Chronoa, and more. The series’ tenth chapter was serialized in the March 2018 issue earlier this year, which simultaneously marked it as the “End of Part 1” while the table of contents listed it as the “final chapter”.

Nagayama’s original Charisma Mission series debuted with a special Rookie Charisma Mission Episode 0 in the December 2013 issue of Saikyō Jump, then ran in earnest from the July 2014 to July 2016 issues. In it, Engineer Yoshito, Battle Navigator Tsubasa, and Battle Princess Momo illustrate the various features of the game in comedic ways. With the cancellation of Katsuki Hirose‘s Dragon Ball Discross Divine Power God MAX!! spin-off manga series (due to the Discross arcade game’s official discontinuation), Nagayama returned with Super Dragon Ball Heroes: Ultimate Charisma Mission!! in the March 2017 issue, which has been running alongside Dark Demon Realm Mission.

Saikyō Jump currently serializes five Dragon Ball spin-off series: Dragon Ball SD, the Dragon Ball GT anime comic, Dragon Ball Fusions the MANGA!!, Super Dragon Ball Heroes: Dark Demon Realm Mission, and Super Dragon Ball Heroes: Ultimate Charisma Mission!! Thus far, Naho Ooishi‘s Dragon Ball SD is the only other Saikyō Jump series receiving a collected print (and digital) release.

Published by 01 April 2018, 4:14 PM EDT3 Comments

Since the earliest days of Daizenshuu EX and Kanzentai (and all incarnations before them), we have always depended upon and valued our community’s involvement. That being said, with very few exceptions, every single aspect of maintaining Kanzenshuu has ultimately been the overall responsibility of just four people. From the news coverage, to the extensive documentation in our guides, to the translation archives, to the podcast production, to the forum management, to the backend/core development, and everything in between, Mike, Heath, Julian, and Jake take care of it all. Kanzenshuu is a side-project for us, and while it is something we could not possibly be more proud of in its current state, we always want to push further and do more.

It is no secret that we have numerous projects in the works and a never-ending supply of material we want to document, archive, and share. The pile of ancient magazines with as-of-yet untranslated Akira Toriyama interviews grows by the day. The wiki exists in a constant state of overhaul and reconstruction, with promises of a launch as honest as ever, yet hilariously impossible to prove. The podcast continues to share some of the best information and reviews out there, but misses more weeks than we would like.

For the first time ever outside our core quartet here on Kanzenshuu, we are formally bringing on a little help.

Production Documentation: Ajay
Originally joining our forum community in 2013, Ajay (@AnimeAjay) quickly became a great friend of the site, as well as a well-versed authority on the production process and going-ons as Dragon Ball Super ran through to completion. In 2016, Ajay took on a bit of formal responsibility as a new moderator on our forum. Alongside that existing role, Ajay will work with us throughout the “Production Guide” and various episode pages to cite concrete, verifiable information about specific animators, production anecdotes, and more.

Translation: Stacey
Stacey (@sailorspazz) has been a friend of the site since before Kanzenshuu itself was even a twinkle in our collective eye! Stacey is certified at the N2 level of the Japanese Language Proficiency Test (JLPT), and along with the occasional day-to-day news coverage assistance, will dive into our archives to help share even more interviews and articles that have yet to be translated. There are very few people whose language and translation proficiency we have full confidence in to live up to our completely unreasonable standards, and with the addition of Stacey to our extended family, they all work on Kanzenshuu.

Wiki Management: Emma & Terez
Emma (@EmmaWNTRZ) joined our forum community in 2014 and took on a role as a Dragon Ball Super sub-forum moderator in 2016; prior to the simulcast’s existence, Emma helped moderate translation-related material on the series’ sub-forum. Terez (@Terez27) joined our forum community that same year in 2016. Both serve as administrators on the /r/dbz sub-Reddit, and both have consistently recommended updates and expressed a willingness to do more with us here. Both became immediate good friends of the site, and have already begun working with us on various collaborations behind-the-scenes, all while proving their dedication to the franchise with their own impressive documentation off-site. Emma and Terez will take over as the main administrators of Kanzenshuu‘s wiki, finalizing content structures and helping to oversee its eventual launch!

Each of these four new folks are taking on what we are somewhat arbitrarily calling a “Site Contributor” role; while they are not responsible for owning and operating Kanzenshuu, we hope (and know!) that you will extend them the same support you do for the rest of us. These four folks are dedicating and volunteering their own time and talents because they believe that strongly in our mission: to spread our love and enjoyment of the original Japanese version of the Dragon Ball franchise — the single version that can be and is enjoyed across the entire planet by all types of fans — with the most accuracy and cited documentation that we can, all wrapped up in an entertaining package.

In addition to working with our new site contributors, we are equally stoked to be working with longtime friend-of-the-site Kenneth to bring his extensive background music documentation here to Kanzenshuu. We are starting small with the original Dragon Ball TV series — check out the first episode’s entry for an in-progress sneak peek — and will eventually make our way through the entire franchise. Kenneth’s work epitomizes dedication and love for Dragon Ball, and we are so appreciative to be able to incorporate it here.

Much like (a pre-Battle of Gods!) 2012 gave us the perfect opportunity to merge websites and launch Kanzenshuu, this post-Dragon Ball Super era feels like precisely the right time to huddle up and refocus our efforts. We are excited to show you what we have in the works, and can’t wait to see what the next 20 years of this website will bring!

Published by 01 April 2018, 12:17 PM EDTComment

“The Big One™” — our Universe Survival arc mega-review — has been recorded and is coming soon. It’s a beast and will take some significant time to edit though, so we have a short episode to hold you over in the meantime this week!

SHOW DESCRIPTION:
Episode #0438! Mike, Meri, and Jeff discuss space travel in the Dragon Ball series. What different types of spaceships do we see, and what are some of the essential products our intrepid travelers need to bring along?

REFERENCED SITES:

Our podcast available via iTunes and/or Google Play Music, or you can pop the direct RSS feed into the program of your choice. You can also listen to this episode by directly downloading the MP3, or you can listen on YouTube and/or SoundCloud. We invite you to discuss this episode on our forum.