
サイヤ人の血をひく者 トランクスの決意
Saiya-jin no Chi o Hikumono Torankusu no Ketsui
Inheritor of Saiyan Blood — Trunks’ Resolve
Episode Information
Premiered: | 07 August 2016 (9:00 – 9:30AM, Sunday, Fuji TV) |
Ratings Share: | 5.8% (7th) |
Opening Animation: | “Chōzetsu ☆ Dynamic!” (Sixth Animation) |
Eyecatch: | Part A: Vegeta / Part B: Vegeta & Trunks |
Ending Animation: | “Easy-Going Dance” |
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Availability: |
Dragon Ball Super DVD Box #05 (06 January 2017) Dragon Ball Super Blu-ray Box #05 (06 January 2017) |
Episode Summary
Trunks is image training by himself on the lake near Capsule Corporation. He pictures himself fighting Black, but cannot envision any way of winning. Inside the laboratory, Dr. Brief says that they have finally stored up enough time machine fuel for a round-way trip. Pilaf wanders in and starts messing around with the time machine’s emergency restart program, and Bulma is impressed when she sees he has actually managed to improve it. She wonders who Pilaf reallyis, but he insists he is simply an ordinary kid. Either way, the time machine is almost ready to go!
Mai and Shuu watch Trunks as he continues his image training. When Shuu explains the concept of image training to Mai, she tries it out for herself… but ends up fantasizing about kissing Trunks instead. Suddenly, something crashes down to Earth: Whis, Beerus, and Goku have returned. Whis claims that Beerus and Goku’s noisy arguing prevented him from moderating his speed properly, but Beerus accuses him of crashing on purpose. They explain what they have learned to Trunks, who wonders if perhaps Zamasu disguises himself as Black, or uses his divine powers to shape-shift.
Whatever the case may be, Zamasu and Black’s ki is simply too close to be a coincidence. And yet, while Black had extremely evil ki, Zamasu’s ki is not so evil. What’s more, Zamasu did not know Goku, while Black did. So while they may be similar, it is hard to concretely connect them… right now. But perhaps Zamasu will come to think dangerous thoughts in the future.
Still, Goku continues to maintain that Zamasu did not seem that evil to him. Having sparred with the guy, Goku thinks he has the best grasp of his personality. Hearing how Goku fought a Kaiōshin and even a God of Destruction, Trunks starts thinking that Goku on his own should be more than enough to defeat Black. As Trunks wonders if they even need his help at all, Vegeta asks for a moment with his son: he is going to give him some training!
Over in the Kaiōshin Realm of Universe 10, Gowasu tries out Zamasu’s latest cup of tea, and finds it a bit off-flavor. Is it the fault of the tea leaves, or… is something the matter with Zamasu? But there are other concerns: a new race of mortals has popped up on the planet Babari, and Gowasu wants to see what will become of them. At present they are extremely primitive and violent, and Zamasu suggests exterminating them right now. Gowasu is taken aback: that sort of thing is the job of Gods of Destruction! Instead, he simply wants to observe the state of the Babarians 1,000 years in the future, to see if they will have become more civilized by then.
Gowasu retrieves the Time Rings, which he explains are for traveling to and from the future. But never to the past! That is impossible… and even if possible, is strictly forbidden, since changing history is always dangerous. He tells Zamasu about the differently colored Time Rings in the box: those were born when history was changed, creating parallel worlds. In fact, a new ring was created just a few years ago, apparently the result of “some idiot” creating a parallel world.
Before they take off to the future, Gowasu warns Zamasu that only Kaiōshin are qualified to use the Time Rings. As such, an apprentice like him cannot go… so Gowasu says that he is now officially promoted to being a full-fledged Kaiōshin! He hands Zamasu one of his green Potara earrings, telling him to be careful putting it on. Otherwise, they will end up permanently fused together into a single Kaiōshin, something neither seems too anxious to do at the moment. Arriving in the future, they see that the Babarians have developed a certain degree of culture but remain violent, and Zamasu thinks to himself that the universe will never be at peace so long as mortals are around.
Back on Earth, Trunks and Vegeta prepare to train. Trunks remembers the last time they trained together, in the Room of Spirit and Time. He tells Vegeta not to hold back, and to use the same Super Saiyan 3 form as Goku. Vegeta laughs at this idea, and instead becomes Super Saiyan Blue. Trunks is shocked that he can no longer sense Vegeta’s ki, yet still feels overwhelming pressure. He realizes that this is the sort of divine ki Goku must have used to fight Beerus with. Seeing Trunks’ hesitancy, Vegeta gives him a handicap: if he manages to land even a single blow, he “wins”.
Trunks turns into the extremely buff form he used against Cell, which Vegeta dismisses as being too slow. However, Trunks quickly reverts to a faster form and tries to land a punch, and Vegeta realizes Trunks was just trying to put him off guard by showing him the other transformation. He awards Trunks 30 points! Overwhelmed by his father’s strength, Trunks again thinks that he is not needed: surely Goku and Vegeta can defeat Black. There is no need for him to grow stronger…
Sensing his son’s thoughts, Vegeta rebukes him: is defeating Black his only goal? He needs to look ahead, to new enemies that might appear. As an inheritor of Saiyan blood, and as Vegeta’s son, Trunks should never accept losing to anybody! He should aim to be the strongest in the universe! Bulma and Goku happen to be passing by, and Bulma gets worried when she sees Vegeta being so hard on Trunks, but Goku explains that this is just how Saiyans do things. With Vegeta distracted, Trunks manages to land a punch. He passes the test! The sparring match ends, with Trunks declaring he will surpass both Vegeta and Black. He bows and thanks his father.
Back on Beerus’ planet, Whis is preparing dinner when a call comes in over his staff. Whis is busy, so Beerus answers it… and is shocked to see it’s a call from the Omni-King! It seems he wants to meet with Goku…










Next Time:
“Hey, I Wanna Meet Son Goku — A Summons from the Omni-King!”
Episode Notes
- Planet Babari’s name (ババリ星; babari-sei) is likely taken from the word “barbarian”, a being who is perceived to be uncivilized or primitive.
バーバリアン (ba·a·ba·ri·a·n) › ババリ (ba·ba·ri)
Episode Credits
The overall credits listed follow a straight forward structure; the staff involved with the production of the series as a whole are listed in the opening credits and the staff involved with this specific episode are listed in the ending credits. All credits listed below are presented as they originally appeared in the episode’s initial broadcast, although errors have been corrected to maintain accurate and consistent spellings throughout the site. For more information and a complete listing of the series’ staff, visit the Animation Production Guide.
Cast Credits
-
孫悟空
Son Goku
ゴクウブラック
Goku Black
-
野沢雅子
Masako Nozawa
-
ブルマ
Bulma
-
鶴 ひろみ
Hiromi Tsuru
-
ベジータ
Vegeta
-
堀川りょう
Ryō Horikawa
-
トランクス
Trunks
-
草尾 毅
Takeshi Kusao
-
ブリーフ博士
Doctor Brief
-
田中亮一
Ryōichi Tanaka
-
ピラフ
Pilaf
-
千葉 繁
Shigeru Chiba
-
マイ
Mai
-
山田栄子
Eiko Yamada
-
シュウ
Shuu
-
玄田哲章
Tesshō Genda
-
ビルス
Beerus
-
山寺宏一
Kōichi Yamadera
-
ウイス
Whis
-
森田成一
Masakazu Morita
-
全王
Omni-King
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こおろぎさとみ
Satomi Kōrogi
-
ザマス
Zamasu
-
三木眞一郎
Shin’ichirō Miki
-
ゴワス
Gowasu
-
後藤哲夫
Tetsuo Gotō
-
ババリ人
Babarians
-
小山剛志
Tsuyoshi Koyama
平井啓二
Keiji Hirai
藤本たかひろ
Takahiro Fujimoto
-
ナレーション
Narration
-
龍田直樹
Naoki Tatsuta
Opening Credits
-
原作・ストーリー原案・キャラクター原案
Original Author / Story Draft / Character Drafts
-
鳥山 明 (集英社「ジャンプコミックス」刊)
Akira Toriyama (Published in Shueisha’s “Jump Comics”)
-
企画
Planning
-
情野誠人 (フジテレビ)
Masato Seino (Fuji TV)
渡辺和哉 (読売広告社)
Kazuya Watanabe (Yomiko Advertising, Inc.)
森下孝三
Kōzō Morishita
-
プロデューサー
Producer
-
橋爪駿輝 (フジテレビ)
Shunki Hashizume (Fuji TV)
佐川直子 (読売広告社)
Naoko Sagawa (Yomiko Advertising, Inc.)
木戸 睦
Atsushi Kido
高見 暁
Satoru Takami
-
音楽
Music
-
住友紀人
Norihito Sumitomo
-
オープニングテーマ
Opening Theme
作詞
Lyrics
作曲
Composition
唄
Vocals
-
「超絶☆ダイナミック!」
“Chōzetsu ☆ Dynamic!”
森 雪之丞
Yukinojō Mori
吉井和哉
Kazuya Yoshii
吉井和哉
Kazuya Yoshii
-
(日本コロムビア/トライアド)
(Nippon Columbia / Triad)
-
製作担当
Production Manager
-
末竹 憲
Ken Suetake
-
美術デザイン
Art Design
-
行 信三
Shinzō Yuki
-
色彩設計
Color Design
-
加藤良高
Yoshitaka Katō
-
キャラクターデザイン・作画監修
Character Design & Supervising
Director of Animation -
山室直儀
Tadayoshi Yamamuro
-
シリーズディレクター
Series Director
-
畑野森生
Morio Hatano
-
制作協力
Production Coordination
-
東映
Toei
-
制作
Production
-
フジテレビ
Fuji TV
読売広告社
Yomiko Advertising, Inc.
東映アニメーション
Toei Animation
Ending Credits
-
脚本
Script
-
キング・リュウ
King Ryū
-
声の出演
Voice Performances
-
~~~~
[ Cast Credits ]
-
協力
In Cooperation With
-
青二プロダクション
Aoni Production
-
原画
Key Animation
-
佐々門信芳
Nobuyoshi Sasakado
平林 孝
Takashi Hirabayashi
手塚江美
Emi Tezuka
加藤義貴
Yoshitaka Katō
辻 美也子
Miyako Tsuji
涂 泳策
Yong-ce Tu
Toei Phils.
Toei Animation Philippines
-
東出 太
Futoshi Higashide
八木元喜
Motoki Yagi
島貫正弘
Masahiro Shimanuki
横山美雪
Miyuki Yokoyama
張 丁
Ding Zhang
-
動画
In-Between Animation
-
Toei Phils.
Toei Animation Philippines
武遊
Buyū
A-Line
A-Line
-
彩色
Digital Coloring
-
Toei Phils.
Toei Animation Philippines
武遊
Buyū
A-Line
A-Line
-
色指定
Color Designation
-
加藤良高
Yoshitaka Katō
-
デジタル特殊効果
Digital Special Effects
-
下川信裕
Nobuhiro Shimokawa
-
デジタルアーティスト
Digital Artist
-
川崎健太郎
Kentarō Kawasaki
-
背景
Backgrounds
-
ビック・スタジオ
bic-Studio
-
studio AR.T.ON
-
柳 煥錫
Liu Huanxi
李 旼貞
Li Minzhen
徐 柱星
Xu Zhuxing
高 智榮
Gao Zhirong
-
李 智恩
Li Zhi’en
黄 琇詠
Huang Xiuyong
崔 有眞
Cui Youzhen
-
デジタル撮影
Digital Photography
-
AMGA
AMGA
競 昌則
Masanori Kisoi
服部 安
Yasushi Hattori
平井智朗
Tomoaki Hirai
榎本星夢
Seimu Enomoto
-
岡田由紀
Yuki Okada
西 重成
Shigenari Nishi
杉浦仙一
Sen’ichi Sugiura
姜 亜偉
Ai Kyō
-
エンディングテーマ
Ending Theme
作詞曲
Lyrical Composition
編曲
Arrangement
唄
Vocals
-
「よかよかダンス」
“Easy-Going Dance”
小野武正
Takemasa Ono
NARASAKI
NARASAKI
ばってん少女隊
Batten Showjo Tai
-
(ビクターエンタテインメント)
(Victor Entertainment)
-
音響監督
Audio Director
-
本田保則
Yasunori Honda
-
編集
Editing
-
西村英一
Ei’ichi Nishimura
-
編集助手
Editing Assistance
-
向井咲子
Sakiko Mukai
-
録音
Recording
-
伊東光晴
Mitsuharu Itō
-
録音助手
Recording Assistance
-
新垣未希
Miki Aragaki
-
音響効果
Sound Effects
-
西村睦弘 (JetSoundEngine)
Mutsuhiro Nishimura (JetSoundEngine)
-
記録
Documentation
-
沢井尚子
Shōko Sawai
-
アシスタントプロデューサー
Assistant Producer
-
静 美保 (読売広告社)
Miho Shizuka (Yomiko Advertising, Inc.)
-
音響製作
Audio Production
-
タバック
TAVAC
-
録音スタジオ
Recording Studio
-
サウンドイン
Sound Inn
東映デジタルセンター
Toei Digital Center
-
オンライン編集
Online Editing
-
東映デジタルラボ
Toei Digital Lab
酒井美貴子
Mikiko Sakai
-
音楽協力
Music In Association With
-
東映アニメーション音楽出版
Toei Animation Music Publishing
フジパシフィックミュージック
FUJIPACIFIC MUSIC
-
企画協力
Planning In Cooperation With
-
集英社「Vジャンプ」編集部
Shueisha’s “V-Jump” Editorial Department
-
演出助手
Assistant Director
-
佐藤雅教
Masanori Satō
-
製作進行
Assistant Production Manager
-
難波 涼
Ryō Nanba
-
美術進行
Art Manager
-
西牧正人
Masato Nishimaki
-
仕上進行
Finishing Manager
-
河本隆弘
Takahiro Kawamoto
-
CG進行
CG Manager
-
渡辺克博
Katsuhiro Watanabe
-
演技事務
Talent Coordination
-
角 康昭
Yasuaki Tsuno
-
広報
Public Relations
-
太田真紀子 (フジテレビ)
Makiko Ōta (Fuji TV)
-
データ放送
Datacasting
-
腰塚 悠 (フジテレビ)
Yū Koshitsuka (Fuji TV)
-
美術
Art Director
-
李 凡善
Bun-sun Lee
-
総作画監督
Chief Animation Supervisor
-
辻 美也子
Miyako Tsuji
-
作画監督
Animation Supervisor
-
島貫正弘
Masahiro Shimanuki
-
演出
Director
-
佐藤雅教
Masanori Satō