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The official Dragon Ball website’s thirty-seventh entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is the final transformation design of Freeza’s older brother Coola from the fifth theatrical Dragon Ball Z film, “The Incredible Strongest vs Strongest”.

The movie’s character designer, Minoru Maeda, discussed Toriyama’s designs for the film in the 2005 “Dragon Box: The Movies” DVD set:

Toriyama-sensei drew all the enemy characters, such as Coola and Neiz, up to and including a height-comparison chart. They even came with colors, so there was no need to change them. There would be no point in changing them. (laughs) It made it a breeze being the one making them, so I was grateful.

The film debuted at the Toei Anime Fair on 20 July 1991. Coola returned as “Metal Coola” in the following film, and has subsequently been included in various video games and minor features over the years (such as in “Plan to Eradicate the Saiyans” and its various remakes).

Coola’s name is one of only a handful in the series that legitimately has multiple layers to its pun. While the “cold” association (following Freeza and King Cold) rings true, as explained in Daizenshuu 6, a different meaning was intended as the reference:

You’d normally think that since his younger brother is Freeza (Freeza=freezer) that his name would be Coola (cooler), but it’s not that simple. The truth is that it involves the Shizuoka dialect. The producer Mr. Morishita, who is from Shizuoka, was worried that “Cooler” would be too direct, and remembered that in the dialect of his hometown one said “meshi demo kuura[editor’s note: sort of equivalent to “Let’s chow down”] when eating. Because of this, they used the Shizuoka dialect… and so they decided on the name Coola!! To think that it was so complicated a process…

The official Dragon Ball website’s thirty-sixth entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is a citation for and the title page from the 2007 Dr. Slump special chapter “Dr. Mashirito — Abale-chan“.

The special chapter was published 06 March 2007 in the April 2007 issue of (the now-defunct) Monthly Shōnen Jump. In the story, the son of Dr. Mashirito (the fictional evil scientist version of Toriyama’s original editor Kazuhiko Torishima) builds an evil version of Arale named “Abale”. A five-minute animated adaptation was created and ran alongside the eighth theatrical One Piece film (“Episode of Alabasta”) just a few days prior beginning 03 March 2007. Toriyama’s author comment alongside the chapter in Monthly Shōnen Jump may be referring to its adaptation into an animated feature:

今回のマンガは、別企画用に描いたモノで、月刊読者の方には解り辛いかも。失礼。 <明>

This comic is something I drew for a separate project, so it might be hard for Monthly Jump‘s readers to understand. My apologies. <Akira>

The title page artwork was recently included in the 2013 Dragon Ball Chōgashū: Super Art Collection.

The official Dragon Ball website’s thirty-fifth entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is Toriyama’s advertisement announcing the return of Masakazu Katsura’s Wing-Man in the 1984 No. 40 issue of Weekly Shōnen Jump following its hiatus due to the author’s illness.

Toriyama’s handwritten note at the bottom reads:

The fact is that Masakazu Katsura needs to get a good night’s sleep everyday or he’ll die, so he didn’t have time to draw this preview. Frankly, he owes me his life! (Buy me a motorcycle!!)

Wing-Man — Katsura’s debut serial — was published in the 1983 No. 5-6 through 1985 No. 39 issues of Shueisha’s Weekly Shōnen Jump. The main character, Kenta Hirono, transforms into the titular Wing-Man in order to fight bad guys while wrestling with his feelings for the two main girls in his life. During the series’ run, Katsura fell ill and the series was put on hiatus; meanwhile, a corner entitled “Hang in there! Hang in there! Katsura-kun” by Toriyama provided illustrations wishing for him to get well soon. At the time, Kazuhiko Torishima served as the editor for both Toriyama and Katsura.

Toriyama referenced Katsura multiple times over the years in his weekly author comments. In the 1984 No. 23 issue (alongside chapter 220 of Dr. Slump), Toriyama mentioned Katsura’s hospitalization:

病室の桂くんに電話。少しセキしてたけど、元気でよかった <明>

I phoned Katsura-kun in his hospital room. He was coughing a bit, but I was glad he was in good spirits. <Akira>

Toriyama’s friendship with manga author Masakazu Katsura (DNA², Video Girl Ai, I”s, Zetman, etc.) spans decades, and this friendship has seeped into Dragon Ball itself in subtle ways: it was Katsura himself who supposedly came up with the idea of fusion, for example. The duo’s friendship and collaboration continued through two specific works of interest to Dragon Ball fans: Sachie-chan GOOD!! in 2008, and JIYA in 2010. While Dragon Ball fans may know the Galactic Patrol by way of Jaco, the space organization actually began with these two prior one-shots.

Incidentally, the 1984-85 Wing-Man television series served the as the voice acting debut of Ryō Horikawa, who would later go on to voice Vegeta in the Dragon Ball franchise.

Published by 05 March 2018, 1:44 PM ESTComment

Tying in with one of last week’s daily Toriyama works entries — as well as with a recent interview translation! — this week’s podcast episode dives into the occasionally-combined worlds of Dragon Ball and KochiKame. A two-page fake ending to KochiKame kicks everything off, and we ultimately land 16 years later in a continuation to that same material. Tune in for a breeze through the intersecting worlds of Akira Toriyama and Osamu Akimoto!

SHOW DESCRIPTION:
Episode #0435! Mike and Julian briefly discuss 20 years of “Dragon Ball” manga in English from Viz before turning their attention to the intersecting “Dragon Ball” and “KochiKame” material over the years. A joint interview in 1990 sheds some light on the respective authors’ different approaches to character creation, while a 2006 manga crossover continues a legendary fake-ending from 16 years prior!

REFERENCED SITES:

Our podcast available via iTunes and/or Google Play Music, or you can pop the direct RSS feed into the program of your choice. You can also listen to this episode by directly downloading the MP3, or you can listen on YouTube and/or SoundCloud. We invite you to discuss this episode on our forum.

Published by 04 March 2018, 3:29 PM ESTComment

Following up on and inspired by the most recent “The Nearly Complete Works of Akira Toriyama” entry, the latest addition to our “Translations” archive is a joint interview between Akira Toriyama and Osamu Akimoto, the author of Kochira Katsushika-ku Kameari Kōen Mae Hashutsujo (“This is the Police Station in Front of Kameari Park in Katsushika Ward”), or more commonly, KochiKame.

Originally published in the 1990 Akira Toriyama: The World “Special Illustrations” book, the brief interview features the two authors discussing the creative origins of their characters, working in a “super deformed” style, and more.

Toriyama: Recently, I’ve oddly being doing things more on the story side than the gags; I suppose you could say I’ve gotten into a bind, or rather, it’s become a comic of escalation, so in a way it’s pretty tough. In my case, when it comes to the enemies of the protagonist, I have to make them a different type from the previous villains. But it’s hard. I can’t come up with anything completely new.

Akimoto: When it comes to the protagonist’s rival, on the other hand, the concepts you can make are unlimited, so that might be hard too. In my case, I sort of have them move together with the main character, so as long as I have the protagonist, I can make it work.

Toriyama: Ryō-san is extremely idiosyncratic, or rather, he has his own flavor, so I think it’s nice that you have this one pillar supporting the whole thing. On that point, Goku is the type who wouldn’t talk if there were a lot of people around, so if I put out too strong a character, he could get upstaged. So I try to write him to be as much of a lone-wolf sort as possible.

READ THE FULL TRANSLATION

This interview has been archived in our “Translations” section.

The official Dragon Ball website’s thirty-fourth entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is Toriyama’s illustration for the KochiKame guide book Katsushika-ku Kameari Kōen-mae Hashutsujo Daizenshuu KAMEDAS (released 09 March 1993), depicting the series’ main character Kankichi “Ryō-san” Ryōtsu in Goku’s dōgi.

The strongest guy in the universe might be this guy…

A chapter in volume 69 in the original KochiKame manga (serialized in Weekly Shōnen Jump 1990 #17, alongside Dragon Ball chapter 268) features a scenario where Ryō-san is reassigned to Planet Namek. Over sixteen years later, Toriyama collaborated with KochiKame‘s Osamu Akimoto on “This is the Police Station in Front of Dragon Park on Planet Namek” for 2006’s Chō-KochiKame, effectively a nine-page sequel to the original crossover hilarity. Toriyama also provided a special congratulatory comment in the same publication.

Published by 01 March 2018, 12:30 PM ESTComment

The fifth collected volume of Toyotarō’s Dragon Ball Super manga — originally and currently serialized on a monthly basis in Shueisha’s V-Jump magazine — officially hit Japanese shelves 02 March 2018 for ¥400 + tax. Spanning 192 pages, the volume covers chapters 25 through 28. The volume takes its title of “The Decisive Battle! Farewell, Trunks” (決戦!さらばトランクス Kessen! Saraba Torankusu) directly from chapter 26 itself.

The main cover artwork is sourced from a composition originally created for a bonus poster included with the January 2017 issue of Saikyō Jump (released 02 December 2017):

In addition to two pages of brief character biographies and a table of contents, the volume features a new title page:

Per the norm (to offset the odd number of pages per chapter), Toyotarō has included fun drawings between chapters. In one drawing, Pilaf works on a time machine of his own, proclaiming that he will save his future self, and next time starts the “Future Pilaf arc”!

Unlike the previous volume, no chapters are expanded with additional pages in the fifth collected volume, and likewise no bonus interview material is included. The two-page 2017 Jump Victory Carnival attendee booklet bonus chapter is included, however.

The print edition of the fifth volume is available for purchase via CDJapan and Amazon Japan. A digital release was made available the same day as the print release.

The first collected edition saw its release in April 2016 covering the series’ first nine chapters, one spin-off chapter, and a special interview between Toyotarō and original author Akira Toriyama. The second collected edition saw its release in November 2016 covering the next six chapters, one more spin-off chapter, and a special interview with Toyotarō. The third collected edition saw its release last June covering the next five chapters. The fourth collected edition saw its release last November covering the next four chapters and a follow-up special interview been Toyotarō and Toriyama.

The Dragon Ball Super “comicalization” began in June 2015 as a promotional tie-in for the television series. The manga runs monthly in Shueisha’s V-Jump magazine, with the series’ thirty-third chapter printed last week in the magazine’s April 2018 issue. Illustrated by “Toyotarō” (in all likelihood, a second pen-name used by Dragon Ball AF fan manga author and illustrator “Toyble”), the Dragon Ball Super manga covered the Battle of Gods re-telling, skipped the Resurrection ‘F’ re-telling, and “charged ahead” to the Champa arc to act as further promotion for the television series. Viz is currently releasing free digital chapters of the series, and began their own collected print edition early last year. The third collected volume is due out in English from Viz in July 2018.

The Dragon Ball Super television series airs Sunday mornings at 9:00 a.m. on Fuji TV in Japan and is set to conclude with the series’ 131st episode this month. The series receives weekly simulcast streams on services such as Crunchyroll. FUNimation has also announced their American streaming and distribution license for the series, with the English dub beginning earlier this year on Cartoon Network, while the home video release also kicked off last year.

Published by 01 March 2018, 10:20 AM ESTComment

The official Dragon Ball website’s thirty-third entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is the design for the main character of 2016’s Dragon Quest Builders:

The game’s story follows the “bad” ending of the original Dragon Quest, in a ruined world where the concept of “building” has been lost. The hero character is responsible for crafting materials, rebuilding towns, gathering townsfolk, and defeating evil monsters.

The artwork was recently included in the “Akira Toriyama Dragon Quest Illustrations” hardcover book released in 2016.

Dragon Quest Builders was released for the Nintendo Switch today in Japan, making it an appropriate choice for the website’s daily entry. The game initially saw a release on the PlayStation 3, PlayStation 4, and PlayStation Vita in Japan in January 2016. An international release followed later that year in October. The Nintendo Switch port curiously debuted worldwide last month ahead of its Japanese release today. A sequel is due out this year.

As with prior games in the franchise — see previous citations in this series for Dragon Quest II, Dragon Quest III, Dragon Quest IV, Dragon Quest VI, and Dragon Quest Heroes — Toriyama provided a number of character designs for Dragon Quest Heroes.

Published by 28 February 2018, 4:55 PM ESTComment

The official Dragon Ball website’s thirty-second entry in “The Nearly Complete Works of Akira Toriyama” — an on-going series highlighting rare and important pieces of the author’s work over the years — is the author’s design for the main character of 1991’s Super Sense Story, “Neo”:

Super Sense Story — illustrated by Toriyama — was a collaboration between the car manufacturer Honda and Shueisha’s Weekly Shōnen Jump. Through its whimsical collection of characters, robots, and landscapes on Planet Neo, the picture book promotes proper traffic safety via its characters’ titular “Super Sense” ability.

In many ways, the logo on Neo’s hat and spaceship feels like an early draft for the evolving Galactic Patrol symbol that would later be seen in Sachie-chan GOOD!, Jiya, and Jaco the Galactic Patrolman. It also shares similarities with the Ginyu Special-Squad logo, which would have been roughly concurrent with this publication.

Thanks to Nickolaus for the additional image!

Published by 28 February 2018, 4:26 PM ESTComment

Dragon Ball XENOVERSE 2 receives various updates across all platforms today, including a free update alongside the paid “Extra Set 2” downloadable content pack, in addition to the paid “Anime Music Pack” (which was originally made available exclusively in Japan, but makes its way internationally to both Dragon Ball XENOVERSE 2 and Dragon Ball FighterZ today).

New Battle Techniques:

  • “Limit Burst”: Temporarily increase in strength to get the upper hand in desperate situations
  • “Flash Revive”: Sacrifice some HP to resurrect an ally

SSGSS Transformations:

  • Embrace the power of Gods!

Partner Customization:

  • Change the look and skills of your Master!
  • Teamwork is the key! Partner with your customized character during quests and adventures
  • Special Skills: Unlock the most iconic techniques for all characters

From Master to Partner!

  • Get your Friendship level to maximum and turn your Master into a powerful Partner
  • Join forces and unleash combined techniques

Cross Ultimate Skill

New online events!

  • 2-on-2 battle with your Partner, and other events with new rules are coming your way!

Costumes and Accessories

  • New outfits for your Avatar and Partner

Hero Colosseum Features!

9 New Scenarios
88 Additional Figurines
14 Free Battles
and much more!

“Extra Pack 2” includes four new playable characters: Fu (a thus-far-unused character originally developed for Dragon Ball Online), Son Goku (Ultra Instinct), Jiren, and #17 (Dragon Ball Super ver.). Additionally, the pack includes five new parallel quests, eight new skills, and eight new Super Souls along with mentor team-ups and new “Tokipedia” gameplay routes. The pack retails for US $9.99 individually, or with the first “Extra Pack” as the combined “Extra Pack Set” for $16.99. The game’s two “Extra Packs” are not covered by the game’s original “season pass” and must be purchased separately.

The “Anime Music Pack” — originally released in Japan as the “Anison & BGM Pack” — retails for US $14.99 and contains music from the original Japanese version of the franchise’s television series and films. The pack was also made available today for Dragon Ball FighterZ at the same price point; the packs are separate purchases, and no discounts appear to be available for purchasing both a la their Japanese rollout.

  • 魔訶不思議アドベンチャー! (“Mystical Adventure!”)
    opening theme to the Dragon Ball TV series by Hiroki Takahashi
  • ロマンティックあげるよ (“I’ll Give You Romance”)
    ending theme to the Dragon Ball TV series by Ushio Hashimoto
  • CHA-LA HEAD-CHA-LA
    first opening theme to the Dragon Ball Z TV series by Hironobu Kageyama; 2013 FLOW version used in-game
  • WE GOTTA POWER
    second opening theme to the Dragon Ball Z TV series by Hironobu Kageyama
  • でてこいとびきりZENKAIパワー! (“Come Out, Incredible ZENKAI Power!”)
    first ending theme to the Dragon Ball Z TV series by MANNA
  • 僕達は天使だった (“We Were Angels”)
    second ending theme to the Dragon Ball Z TV series by Hironobu Kageyama
  • DAN DAN 心魅かれてく (“Bit by Bit, You’re Charming My Heart”)
    opening theme to the Dragon Ball GT TV series by Field of View
  • プロローグ&サブタイトルI (“Prologue & Subtitle 1”)
    first episode recap and title card music from the Dragon Ball Z TV series by Shunsuke Kikuchi
  • ニューヒーロー登場 (“A New Hero is Born”)
    Dragon Ball Z TV series Boo-era background music by Shunsuke Kikuchi
  • ソリッドステート・スカウター (“Solid State Scouter”)
    Bardock Dragon Ball Z TV special insert song by Dragon Magic Orchestra
  • 恐怖のギニュー特戦隊 (“The Fearsome Ginyu Special Force”)
    Freeza-era Dragon Ball Z TV series background music by Shunsuke Kikuchi

Developed by Dimps for Bandai Namco, Dragon Ball XENOVERSE 2 is available worldwide for the PlayStation 4, Xbox One, PC (via Steam), and Switch. In North America, the game launched for consoles 25 October 2016 with a PC release following 28 October 2016. In Europe, the game launched across all platforms 28 October 2016. In Japan, the game launched on the PlayStation 4 console 02 November 2016. The Nintendo Switch port was released in Japan and internationally in September 2017.